Just over a year ago, I launched The Disappointed Housewife with an eye toward gathering nuggets of writing that perhaps couldn’t be found elsewhere. I had some particular kinds of works in mind, works that took the generally accepted rules of form and style and bent them into new shapes like literary balloon animals. I… Read More The Disappointed Housewife is One Year Old!
The Disappointed Housewife is delighted to announce our first payment to writers thanks to the generosity of the readers. Last month I created a “starving artists” fund, to which readers can make donations via PayPal. A convenient “donate” button is located in the sidebar to the right. And since the fund’s creation, we’ve collected a… Read More Dough!
When The Disappointed Housewife launched, I tried to think of ways the contributors could get paid when I had no budget. I landed on the idea of PayPal “tips” made by readers directly to the writers. But this is a hit-and-miss approach and probably leaves most of the writers with little or no acknowledgment. I… Read More Help Pay Our Writers With a Donation to The Disappointed Housewife
There aren’t many ways that a journal that makes no money can pay its writers, but here at The Disappointed Housewife we offer readers an opportunity to bypass the middle man and pay the writers directly. At the bottom of many of our poems, stories, and essays you’ll find the author’s PayPal (or Google Pay)… Read More How to Pay Writers at The Disappointed Housewife
At the outset here, we’re making the choice not to decorate contributions with images, unless the image is made and provided by the author. It seems to us that ubiquitous stock photos all over the internet lower the value of images and detract from a more important element: the writing itself. We see, in fact,… Read More A note on images
The Disappointed Housewife is a literary journal for writers, and readers, who are seeking something different. We like the idiosyncratic, the iconoclastic, the offbeat, the hard-to-categorize. Out of the universe of fiction, poetry, and creative nonfiction, we want to attract work that plays with form and presentation. Work that’s not just outside the box but… Read More Editor’s foreword